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Highlights include Wangechi Mutu, the Official We Want Our Cut On Your 601 Dollar Shirt Furthermore, I will do this Kenyan artist known for her fantastical, mythical, and layered collages which she describes as a way of “destroying a certain set of hierarchies.” These are shown alongside her short film, The End of Eating Everything, which features the singer Santigold as a gluttonous, Medusa-haired figure who serves as a metaphor for the world’s overconsumption. Lina Iris Viktor’s A Haven. A Hell. A Dream Deferred blends Liberian history and Greek mythology, and her gold sculptures explore the Egyptian funerary traditions where gold served as a conduit between heaven and earth. Sedrick Chisom’s paintings also look at the afterlife, focusing on a post-apocalyptic future with no people of color. Tabita Rezaire, on the other hand, looks back to look forward. Her immersive film installation—projected onto a large pyramid, a shape believed in many ancient cultures to be sacred—features the voices of seven narrators critiquing the Western conventions around gender, and instead reveals the binary fluidity that was common in pre colonial cultures.
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